lunes, 16 de enero de 2012

Bibliografía utilizada durante la redacción de: El Marmoleado, del papel de guardas a la obra de arte.

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(anónimo), J.K. Kunst und Werckschule. ZIEGER (Johann) editor., 1696.

ABBOTT, Jacob. The Harper Establishment; or, How the Story Books Are Made. New York: Harper and Brothers, 1855.

ADAM, Paul. Das Marmorieren des Buchbinders auf Schleimgrund und in Kleisterverfahren. Halle: Wilhelm Knapp, 1906.

ADAMS, Charles M. «Some Notes on the Art of Marbling Paper in the Seventeenth Century.» Bulletin of the New York Public Library, Vol. 51, No. 7, July 1947: 455—22.

AMADES, Joan. El paper de guardes . Barcelona: Gráfica Catalana, 1971.

ANDÈS, Louis Edgar. Papier-Specialitäten. Anleitung zur Herrstellung von der Verschiedenen Zwecken Dienenden Papierfabrikanten. Vienna: A. Hartleben, 1896.

ANÓNIMO. Het Natuurlyk Tover-Boek, of, ’t Nieuw Speeltoneel der Kornsten. Amsterdam, 1684.

—. «Manuscrito de Lyon.» Biblioteca de la Universidad de Glasgow, MS Ferguson 150. 1642.

—. Secrets of Bookbinding, an anonymous 19th century Dutch bookbinding manual. Traducido por Richard J. Wolfe. Boston, 1991.

—. The accomplished paper colorer. translated and introduced by Richard J. Wolfe. Traducido por Richard J. Wolfe. New Castle: Oak Knoll Press, 2008.

ARAUS, Pedro. Semanario Económico, Compuesto de noticias prácticas, curiosas, y eruditas; de todas Ciencias, Artes, y Oficios... Cuatro. vols. Madrid, 1765-67 (Tomos I, II, y III), continuado por Juan Biceu 1778 (Tomo IV.

BACON, Francis. Sylva Sylvarum: or a Natural History, in Ten Centuries. London: William Lee, 1627.

BENSON, Jake. «Historical references to paper marbling in East Asia.» Documento cedido a la Society of Marbling.

BERGER, Sidney E. Edward Seymour & the Fancy Paper Company: The story of a British marbled paper manufacturer. New Castle, Delaware: Oak Knoll, 2006.

BERRY, Galen. Learn the Art of Marbling. Oklahoma City, Oklahoma: Self-published, 1991.

BINNEY, Edwin III. Indian Miniature Painting from the Collection of Edward Binney, 3rd: Mughal and Deccani Schools. Portland, OR: Portland Art Museum, 1973.

BOECK, Joseph Phileas. Die Marmorierkunst. Em Lehr - und Handbuch für Buchbindereien, Buntpapierfabriken und verwandte Geschäfte. Vienna: A. Hartleben, 1896.

BORJESON, Ingeborg. Venner, Dyr og Bogbind. Pinkobing: Eget Forlag, 1972.

BOYLE, Robert. Experimenta et Considerationes de Coloribus. Londres, 1665.

—. On Doing by Physicall Knowledge What is Wont to Require Manual Skill. Oxford, 1663.

Brown, Directory of the Book-Arts and Book Trade in Philadelphia to 1820, including Painters and Engravers.

CARPALLO BAUTISTA, Antonio. Análisis documental de la encuadernación española. Madrid: AFEDA, 2002.

CARRIÓN GÚTIEZ, Manuel. La encuadernación española, en Historia ilustrada del libro español, De los incunables al siglo XVIII. Madrid: Fundación Germán Sánchez Ruipérez, 1994.

CASTAÑEDA Y ALCOVER, Vicente. Ensayo de un diccionario biográfico de encuadernadores españoles. Madrid, 1958.

Catalogo delle stampe incise e delle carte di vario genere della ditta Giuseppe Remondini e figli. . Bassano del Grappa: Tassotti Editore, 1990.

CHAMBERS, Anne. Suminagashi: The Japanese Art of Marbling. London: Thames & Hudson, 1991.

CHARDIN, Jean. Voyages de Monsieur Le Chevalier Chardin en Perse et autres lieux de l'orient... Amsterdam: Chez Jean Louis de Sorme, 1711.

de HAAS, Hendrik. De Boekbinder, of Volledige Beschrijving van Al het Gene Wat Tot Deze Konst Betrekking Heeft. Dordrecht: A. Blussé en Zoon, 1806.

de LA CAILLE, Jean. Històire de l'Imprimerie et de la Libraire, ou l'on vvit son origine & son progrés, jusqu'en 1689. Paris: Chez Jean de La Caille, 1689.

DERMAN, Uğur. Letters in gold. Ottoman calligraphy from the Sakip Sabanci collection, Istanbul. New York: The Metropolitan Museum of Art, 1999.

—. Türk Sanatinda Ebrû. Istanbul: Apa Offset Printers, 1977.

DEROCHE, François. Manuel de codicologie des manuscrits en écriture arabe. Paris: BnF, 2000.

DEVAUCHELLE, Roger. La Reliure en France de ses Origines a nos Jours. Paris, 1959.

DOEBBELIN, W.C. The Art of Marbling . London, 1910.

—. The Art of Marbling, A Practical Guide to Marbling, Doebbelin’s Simplified Method. Middleton, Mass: The Halfer Marbling Company, 1927.

DOIZY, Marie Ange. De la dominoterie à la marbrure. Histoire des techniques traditionnelles de la décoration du papier. Préface de Geneviève Guilleminot-Chrétien. Paris: Arts et Métiers du Livre, 1996.

DOIZY, Marie Ange et IPERT, Stephane. Papier Marbre: son Histoire et sa Fabrication. Editions Technorama, 1985.

DOSSIE, Robert. Memoirs of Agriculture & Other Oeconomical Arts. London: J. Nourse., 1758.

—. The Handmaid to The Arts. London: J. Nourse., 1758.

EASTON, Phoebe Jane. Marbling: A History and a Bibliography. Los Angeles: Dawson's Book Shop, 1983.

—. «Phoebe Jane Easton, a Brief Autobiography.» Society of Marbling Annual . 2004.

ENDERLI, Hans. Buntpapiere. Geschichte und Rezepte des Buntpapiers mit 205 Original Buntpapier Mustern. Winterthur: Winterthur Kunstmuseum, 1971.

EVELYN, John. «An Exact Account of the Making of Marbled Paper.»

—. Diarios. Londres, 1818.

EVELYN, John. «Some notes on the art of marbling paper in the seventeenth century.» Bulletin of the New York Public Library, Julio 1947.

«Fine Arts. A review for the arts of the book.» (Sandra Kirshenbaum), nº Octubre (1983): 134-137 y 164-166.

FOOT, Mirjam M. «The Olga Hirsch collection of decorated papers.» The British Library journal VII, pp. 12-38.

FRIGGE, Karli. «Buntpapier-Fabrik Aschaffenburg.» Ink & Gall VII, nº 1 (1993): 22-25.

FRIGGE, Karli. «From a blue jar to judgement day.» Ink & Gall II, nº 3 (1988-89).

FURSTENBERG, Jean. «Le Grand Siècle de France et ses Bibliophiles.» Hamburgo: Dr. Ernst Hanswedell & Co. Verlag, 1972.

GANI, Michela. Musei Civici di Modena, Carte decorate. Modena: Panini F.C., cop., 1993.

GUILLEMINOT-CHRETIEN, Geneviève. Papier marbrés français: reliures princières et créations contemporaines. Bavel (Holanda): Stichting VBW Press, 1987.

GUYOT, Don. Suminagashi. An Introduction to Japanese Marbling. Seattle: The Brass Galley Press, 1988.

HAEMERLE, Albert von. Ausgburger Buntpapier. Augsburg: Viertel Jahreshefte zur Kunst und Gerchichte Augsburg, 1937-1938.

HAEMMERLE, Albert. Buntpapier: Herkommen, Geschichte, Techniken, Beziehungen zur Kunst. München : Verlag Georg D. W. Callwey, 1961 .

HALFER, Josef. The Progress of the Marbling Art. Taos, New Mexico: Fresh Ink Press, 1989.

HALFER, Joseph. Die Fortschritte der Marmorierkunst. Ein Praktisches Handbuch für Büchbinder und Buntpapierfabrikanten. Nach Technisch-Wissenshaftlichen Grundlagen Bearbeitet. Stuttgart: Wilhelm Leo, 1891.

—. L’Art de la Marbrure. Guide Pratique Basé sur des Données Techniques et Scientifiques pour Relieurs et Fabricants de Papiers Marbrés. Traduction Française Autoriseé par Joseph Grillet et Ëmile Schultze. Genevè: Th. Grossman, 1894.

—. Die Fortschritte der Marmorierkunst. Ein Praktisches Handbuch für Büchbinder und Papierfabrikanten. Budapest: Im Selbstverlage des Verfassers, 1885.

—. The Art of Marbling and the Treatement of New Bronze Colours. London: Hostman Printing Ink Company, 1904.

—. The Progress of the Matbling Art from Technical Scientific Priciples; with a Supplement on the Decoration of Book Edges. Translated by Herman Dieck. Buffalo, N.Y.: Louis H. Kinder, 1893.

HAUPTMANN, Joseph. Die Marmorierkunst. Ein Leitfaden zum Praktischen Erlernen des Marmorierens nach Halfer’schen Methode. Gera, Reuss: Selbstverlage des Verfassers, 1895.

HAUPTMANN, Otto. Nachschlage-Heft beim Marmorieren. Mit 30 Verschiedene Beispielen von otto Hauptmann. Gera-Reuss, 1914.

HERBERT, Thomas. Some Years Travels Into Divers Parts of Asie and Afrique. London: R. Everingham, 1634.

HUGHES, Milena. «Más allá de papel marmoleado.» Ink & Gall IV, nº 2 (1990).

INFELISE, Mario y MARINI, Paola. Remondini : un editore del settecento. Milano: Electa, 1990.

JAMES, William Henry. Bookbindings and Rubbings of Bindings in the Victoria and Albert Museum. 1898.

KERSTEN, Paul. Die Geschichte des Buntpapiers. 1938.

—. Die Marmorierkunst . 1922.

KIRCHER, Athanasius. Ars Magna Lucis et Umbrae, in Decem Libros Digesta. Roma: Hermann Scheus, 1646.

LARRUGA Y BONETA, Eugenio. Memorias políticas y económicas sobre los frutos, fábricas, comercio y minas de España, con inclusión de las órdenes, disposiciones y reglamentos expedidos para su gobierno y fomento. 45 vols. Madrid: Benito Cano, en la Oficina de Antonio Espinosa, 1788 a 1800.

LARSEN, Sofus y KYSTER, Anker. Danish Eighteen Century Bindings, 1730-1780. Copenhagen: Levin & Munskgaard, 1930.

LEMERY, Sieur. Recueil de Curiositez Rares et Nouvelles de Plus Admirables Effets de la Nature. Paris, 1674.

LÓPEZ SERRANO, Matilde. Gabriel de Sancha. Madrid, 1975.

LÓPEZ-VIDRIERO, María Luisa. «La Imprenta en el siglo XVIII.» En En: Historia ilustrada del libro español, De los incunables al siglo XVIII. . Madrid: Fundación Germán Sánchez Ruipérez, 1994.

LORING, Rosamond B. Decorated End Papers. 1942.

LOUDON, James B. James Scott and William Scott, Bookbinders. London: Scholar Press, in Association with the National Library of Scotland., 1980.

MANGIEN, Gabriel. «Vieux papiers de Garde et de Couvertures de Livres.» Le vieux papier, Boletín de la Sociedad Arqueológica, Histórica y Artística., 1958, 1959 y 1960.

MAURER-MATHISON, Diane. The Ultimate Marbling Handbook. New York: Watson-Guptill Publications, 1999.

MCKAY, Barry (Ed.). Marbling -Methods and receipts from Four Centuries with other Instrcutions useful to Bookbinders. Plough Press Oxford and Oak Knoll Books Delaware, 1990.

MEDEIROS, Wendy Addison. Marbling Techniques. New York: Watson- Guptill Publications, 1994.

MERRIFIELD, Mary Philadelphia. Original Treatises, Dating from the XIIth to the XVIIIth Centuries, on the Arts of Painting, Oil, Miniature, Mosaic, and on Glass; of Gilding, Dyeing, and the Preparation of Colours and Artificial Gems;. 2 vols. London: John Murray, 1849.

MESTRE SANCHIS, Antonio. «Los Origenes de la Biblioteca Real (1711-1761).» En En: La Real Biblioteca Pública (1711-1760) De Felipe V a Fernando VI. Madrid: Biblioteca Nacional, 2004.

MILANO, Alberto y VILLANI, Elena. Le carte decorate della Raccolta Bertarelli. . Milano: A. Mondadori arte, 1991.

MILANO, Alberto y VILLANI, Elena. Museo di arti applicate. Raccolta Bertarelli. Carte decorate. Milano: Electa, cop., 1989.

MIURA, Einen. The Art of Marbled Paper: Marbled Patterns and How To Make Them. New York:: Kodansha Internationa, 1990.

NERI, Antonio. De Arte Vitraria. Vols. Libri VII. & in Eosdem Christophori Merretti, M. D. & Societatis Regiae Socii, Observationes & Notae in Quibus Omne Germmarum Artificialum, Encaustorum & Lacassarum Artificium Explicatur. Ámsterdam, 1665.

NEVINS, Iris. 105 Helpful Hints for the Marbler. Sussex, New Jersey: Self-published, 1990.

—. Fabric Marbling. Sussex, New Jersey: Self-published, 1989.

—. Traditional Marbling. Sussex, New Jersey: Self-published, 1988.

—. Varieties of Spanish Marbling. Johnsonburg, NJ.: Bird & Bull Press, 1991.

NICHOLSON, James B. A Manual of the Art of Bookbinding... also, The Art of Marbling Book Edges and Paper. Philadelphia: Henry Carey Baird, 1856.

PALOMINO OLALLA, Antolín. Autobiografía, Conocimientos y Recuerdos sobre el arte de la Encuadernación. Madrid: Imprenta Artesanal del Ayuntamiento de Madrid, 1986.

PAPILLON, Jean Baptiste Michel. Traité historique et pratique de la gravure en bois. Paris: chez Pierre Guillaume Simon, 1766.

PLEGER, John J. Bookbinding. Chicago: Inland Printer Company, 1914.

POLLARD, Graham. «Changes in the Style of Bookbinding, 1550-1830.» The Library, Junio 1956.

PORTER, Ives. Peinture et arts du livre. Paris: Institut français de recherche en Iran, 1992.

PRIDEAUX, Sarah Treverbian. An historical sketch of bookbinding. London: Lawrence and Bullen, 1893.

QUILICI, Piccarda. Carte Decorate nella Legatoria del '700 dalle Raccolte della Biblioteca Casanatense. Roma: Istituto Poligrafico e Zecca dello Stato, 1989.

—. Carte decorate nella legattoria del ‘700 dalle raccolte della Biblioteca Casanetense. Roma: Istituto Poligráfico, 1988.

«Real Cédula.» Madrid: Imprenta de Pedro Marín, 1778.

Remondini. Campione delle Carta Collorata delle Fabbrica Giuseppe Remondini e Figli. Bassano, 1808.

—. Catalogo delle Stampe in Rame, in Legno, &c. delle Varie Qualitá de Carte Privilegiate, le Quale Di Lavorano in Bassano Presso la Dita di Giuseppe Remondini e Figli de Venezia, Con I Suoi Pressi Fissati a Moneta Venetia. Ejemplares de los años 1766, 1770, 1778, 1784, 1789 y 1791.

RUBOVITS, Norma. Marbled Vignettes. Los Angeles: Dawson's Book Shop, 1992.

SABREL, M. Manual completo del encuadernador : teórico y práctico : descripción de las máquinas y procedimientos modernos y antiguos : aumentado con el arte del rayador de papel para libros de comercio. Madrid: Librería de Cuesta, 1883.

SALMON, William. Polygraphice, or the Art of Drawing, Engraving, Etching, Linning, Painting, Washing, Varnishing, Colouring and Dying in Three Books. London, 1672.

SCHLEICHER, Patty & Mimi. Marbled Designs: A Complete Guide to Fifty- Five Elegant Patterns. . Asheville, North Carolina: Lark Press, 1993.

SCHLEICHER, Patty & Mimi. Experience the Magic of Marbling. Marbling Secrets and Recipes. Video demonstration of marbling. Ironwood Productions. Asheville, North Carlina, 1994.

SCHLEICHER, Patty. Oil Color Marbling. Weaverville, North Carolnia: Self-published, 1984.

SCHMOLLER, Tanya. To brighten things up: The Schmoller collection of decorated papers. Manchester: Manchester Metropolitan University, 2008.

SCHOTT, Gaspar. Magia Universalis Naturae et Artis, Sive Recondita Naturaliam et Artificialum Rerum Ciencia. Würzburg, 1657.

SCHWENTER, Daniel. Turckisches Papyr zu Machen zu Figuieren. antes de 1636.

SEGUIN, Jean-Pierre. Dominos, papiers imprimés. Tours: Réunion des musées nationaux, 1991.

«The Whole Process of Marbling Paper.» En The Whole Process of Bookbinding and The Whole Process of Marbling Paper, de Hugh SINCLAIR, editado por Bernard Midleton y Richard J. Wolfe. Austin: W.Thomas Taylor, 1987.

SKYCRAFT, Peggy. Mastering Marbling with Peggy Skycraft. DVD. Editado por Suzanne Lamar. Pagesage.

Sociedad para el desarrollo de las artes, manufacturas y comercio. Transactions of the Society Instituted at London for the Encouragement of Arts, Manufactures, and Comerce; with the Premiums Offered in the Year 1789. Vol. 7. 1789.

SÖNMEZ, Nedim. Ebru - The Turkish Art of Marbling. Hückelhoven: Verlag Anadolu, 1996.

—. Marbled calligraphies. Izmir: Edición del autor., 2006.

SUÁREZ Y NÚÑEZ, Gerónimo. Memorias instructivas y curiosas sobre agricultura, comercio, industria, economía, chymica, botánica é historia natural, &c. 12 vols. Madrid: Pedro Marín, 1778-91.

SUMNER, James. The Mysterious Marbler; or, The Mystery Unfolded: Showing How Every Bookbinder May Become a Marbler, to Establish and Defend the Rights of His Trade; For It Is His Definitive Right That He Should Marble. Londres, 1854.

SUMNER, Jammes. The Mysterious marbler. with an historical introduction, notes, and eleven original marbled samples by Richard J. Wolfe. Traducido por Richard J. Wolfe. North Hills: Bird & Bull Press, 1976.

SUSSWEIN GOTTESMAN, Rita. The arts and crafts in New York; George McKay, Register of Artists, Engravers, Booksellers, Bookbinders, Printers and Publishers in New York City, 1633-1820.

TAYLOR, Carol with SCHLEICHER, Patty, SCHLEICHER, Mimi, and SIMS, Laura. Marbling Paper & Fabric. New York: Sterling, 1991.

ÜLKER, Muammer. Başlangiçtan günümüze. Türk Hat Sanati .The art of Turkish calligraphy from the beginning up to the present. Ankara: Doğuş, 1987.

UZANNE, Octave. La reliure moderne artistique et fantaisiste. Paris: Edouard Rouveyre, 1887.

von LÖWENSTEIN, Johann Kunckel. Ars Vitraria Experimentalis. Frankfurt, 1679.

voorn, Henk Voorn. «The Ducht Gilt Papers in the collection of the Royal Library in the Hague.» International Paper History Yearbook, IPH Yearbook , 1983/84.

VV.AA. Líneas en Oro. Caligrafía Otomana del Museo Sakip Sabanci de Estambul. Madrid: Real Academia de Bellas Artes de San Fernando, 2007.

—. The papered wall. Editado por Lesley Hoskins. London: Thames and Hudson, 1994.

—. Three Early French Essays on Paper Marbling, 1642—1765, with an historical introduction, and thirteen original marbled samples, by Richard J. Wolfe. Traducido por Richard J. Wolfe. Newtown: Bird & Bull Press, 1987.

—. Ukiyo-e, imágenes de un mundo efímero. Barcelona: Fundació Caixa Catalunya, 2008.

WEIMANN, Christopher. Marbled Papers. Being a Collection of Twenty-Two Contemporary Hand-Marbled-Papers Showing a Variety of Patterns and Special Techniques. Los Angeles : Dawson’s Book Shop, 1978 .

—. Marbling in Miniature. Los Angeles: Dawson’s Book Shop, 1980 .

WEIMANN, Christopher. «Techniques of Marbling in Early Deccan Paintings.» Fine Print 9, No. 4 (Oct 1983): 134—137/164—166.

WEIMANN, Ingrid and SONMEZ, Nedim. Christopher Weiman: (1946-1988) A Tribute. Tubingen, Germany: Jackle-Sonmez, 1991.

WEISSE, Franz. Die kunst des marmorierens. 1940.

—. Getropfelte Gälle auf Buchblättern. 1931.

—. Mein Kampf mit der ochsengalel. 1938.

—. The Art of Marbling, translated from the German with an introduction, and fourteen original marbled specimens by Richard J. Wolfe. Traducido por Richard J. Wolfe. North Hills: Bird & Bull Press, 1980.

WHITE, John. Arts Treasury, Contained in Many Extraordinary Experiments, Rarities and Curious Inventions. London, 1688.

WITGEEST, Simon. Het Natuurlyk Tover-Boek, of, ’t Nieuw Speeltoneel der Kornsten. Amsterdam, 1684.

WOLFE, Richard J. Marbled Paper: Its History, Techniques and Patterns. Philadelphia : University of Pennsylvania Press, 1990.

—. The Role of the Mann Family of Dedham, Massachusetts in the Marbling of Paper in Nineteenth Century America, and in the Printing of Music, the Making of Cards, and other Booktmade Activities. Chestnut Hil, MA: Perspectives on Printing and Publishing, 1981.

WOOLNOUGH, Charles Wingham. «The Art of Marbling.» Journal of the Society of Arts, 1878: 154-157.

—. The Art of Marbling, as Applied to Book Edges and Paper. Primera edición. Londres: A. Heylin., 1853.

—. The Whole Art of Marbling as Applied to Paper and Book Edges. Tercera edición. Londres: George Bell and Sons., 1881.

YAGI, Tokutaro. Suminagashi-zome. Woodside, California: The Heyeck Pres.

ZAEHNSDORF, Joseph W. The Art of Bookbinding. London: George Bell & Sons, 1880.

ZAHN, Johannes. Oculis Artificialis Teledioptricus Sive Telescopium. Würzburg, 1685.

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